Q3 2025 Highlights
    The standout headline this quarter came from London, where
    Sotheby’s auction of Pauline Karpidas’s Surrealist collection
    realized $100 million—nearly double its $53 million estimate. The sale united works by Magritte, Dalí, and Claude Lalanne alongside high‑design furniture and jewellery, confirming renewed passion for Surrealism’s fusion of imagination and craft. Coverage in
    Financial Times
    and
    Wallpaper
    framed it as a defining cultural moment for collectors.
    Across fairs, sentiment in Q3 tilted toward caution at the ultra‑high end while activity persisted at four‑ and five‑figure levels.
    Frieze Seoul (Sep 4)
    saw uneven results—strength at the top and lower ends—while
    The Art Newspaper (Sep 1)
    highlighted the tougher backdrop. In the U.S., the inaugural
    Untitled Art Houston (Sep 19)
    opened with a slew of four‑ and five‑figure sales—evidence of resilient mid‑market momentum in Q3.
    Scholarship and tools continued to evolve too: July research introduced
    ArtSeek, a multimodal framework for interpreting artworks and styles—useful for galleries and collectors navigating an increasingly data‑aware market.
  
Q3 2025 Global Market Composition: Media & Category
Source: ARTnews (Karpidas Collection) and Financial Times. Additional context from Wallpaper on design & jewellery trends.
Q3 2025 Market Volume Shift: Lower/Mid-Tier vs High-End
          Source: MyArtBroker and
          ARTnews, Q3 2025.
          Volume strengthened below $1M as new buyers entered; high-end lots (> $10M) contracted across houses.
          Mid-tier works saw steady activity, while ultra-high segments posted fewer transactions compared with prior periods.
          Patterns align with UBS findings on broader market recalibration in 2025.