Q3 2025 Highlights
The standout headline this quarter came from London, where
Sotheby’s auction of Pauline Karpidas’s Surrealist collection
realized $100 million—nearly double its $53 million estimate. The sale united works by Magritte, Dalí, and Claude Lalanne alongside high‑design furniture and jewellery, confirming renewed passion for Surrealism’s fusion of imagination and craft. Coverage in
Financial Times
and
Wallpaper
framed it as a defining cultural moment for collectors.
Across fairs, sentiment in Q3 tilted toward caution at the ultra‑high end while activity persisted at four‑ and five‑figure levels.
Frieze Seoul (Sep 4)
saw uneven results—strength at the top and lower ends—while
The Art Newspaper (Sep 1)
highlighted the tougher backdrop. In the U.S., the inaugural
Untitled Art Houston (Sep 19)
opened with a slew of four‑ and five‑figure sales—evidence of resilient mid‑market momentum in Q3.
Scholarship and tools continued to evolve too: July research introduced
ArtSeek, a multimodal framework for interpreting artworks and styles—useful for galleries and collectors navigating an increasingly data‑aware market.
Q3 2025 Global Market Composition: Media & Category
Source: ARTnews (Karpidas Collection) and Financial Times. Additional context from Wallpaper on design & jewellery trends.
Q3 2025 Market Volume Shift: Lower/Mid-Tier vs High-End
Source: MyArtBroker and
ARTnews, Q3 2025.
Volume strengthened below $1M as new buyers entered; high-end lots (> $10M) contracted across houses.
Mid-tier works saw steady activity, while ultra-high segments posted fewer transactions compared with prior periods.
Patterns align with UBS findings on broader market recalibration in 2025.